
In an ambitious move poised to reshape the office furniture landscape, N9NE Furniture Group has officially launched, emerging from the strategic merger of four established industry leaders: HBC Furniture Distributors, Pacific Coast Furniture Group, Rocky Mountain Furniture Group, and Storlie Furniture Group. The new conglomerate, spearheaded by nine innovative owners, aims to create a unified national distribution network to enhance service across the US.
David Perez, co-owner of N9NE Furniture Group, shared the company's mission, stating, "Our vision with N9NE was to close the gap in our existing business model. By bringing more industry experts together and expanding our network, we now have the capability to more effectively meet our customers' needs."
N9NE’s strategic placement of distribution centers in major cities such as Seattle, Portland, Sacramento, Denver, Kansas City, Dallas, and Minneapolis—and the recent addition of a Baltimore warehouse—ensures a comprehensive reach, providing coast-to-coast coverage. This setup is designed not only to streamline operations but also to reduce shipping costs, lower environmental impact, and minimize product damage, as explained by co-owner Dave Baker.
The company's product line is expansive, featuring a diverse range of office furniture essentials from ergonomic chairs and versatile workstations to efficient storage solutions and stylish accessories, all tailored to current trends and ergonomic standards. Among the highlights is the launch of the Konfurb Sense, a 100% recyclable chair that underscores N9NE’s commitment to sustainability, further certified by environmental standards like BIFMA and GreenGuard.
Customers will have the opportunity to view the Konfurb Sense along with the rest of N9NE’s innovative product range at their booth (7-7030) at the upcoming NeoCon event.
N9NE Furniture Group stands ready to cater to businesses of various sizes and industries, offering personalized solutions to meet the unique requirements of each customer. "We are thrilled to introduce N9NE Furniture Group to the market," said Perez, inviting businesses to experience the thrill of equipping their offices with top-tier, sustainable products. "Buckle up and get ready to furnish your office to the nines, with N9NE!"


Clerkenwell is a compact district, just north of central London, with a population of about 12,000 and a history of small workshops and commerce, focused on the watchmaking and watch repair trades. Over the past 30 or 40 years, the area’s emphasis has switched to architectural and design practices, and the office furniture and interiors’ showrooms which vie for their custom.
This year’s Clerkenwell Design Week 2024 was the 13th, and as always, the show was crowded, noisy, and fun, but with plenty of serious discussion, mixed in with eating, drinking, humour, and catching up with old friends. The weather didn’t behave as well as is usual for mid-May, with rather too much rain between some sunny spells, but the atmosphere was as good as ever, and many showrooms reported being very busy, with visitors staying longer than usual, probably so they could keep dry!
Visitors wandered streets filled with more than 160 manufacturers’ permanent showrooms, most showing new products and fresh ideas, along with 16 curated exhibition venues, “Design Destinations” ranging from large pavilions to commandeered local spaces such as the Old Sessions House, a courthouse dating from 1779. The Design Week’s offerings also included talks and panel discussions.
For the first time this year, there were several international pavilions, amongst them Italy, located in Design Fields. One company included was Natuzzi, which showed their Melody range, designed by Simone Bonanni. (
CDW is a show where the visitor needs to be discriminating. Twenty-six hours, over three days, is never going to be enough time to see everything, and advance planning is required if the time is to be well spent. Rest and relaxation after a day’s pounding of the pavements is provided every evening by many dozens of noisy, boozy, parties in the showrooms and other venues, some of which kept the neighbours awake until very late.
One of the factors of the show’s success is its structural flexibility. Rather than needing to fill an exhibition complex of finite shape and size, it can stretch, grow and contract with exhibitors’ demands, year by year.
The Trends
Those who have followed the changes in the office scene this century cannot fail to have observed how the commercial has morphed into the residential. It started with the idea of breakout areas, long before Covid, but the post-pandemic era with its WFH and hybrid working has accelerated the process, so that, if the manufacturers’ showrooms are truly representative, the difference between home and office furniture and furnishings is virtually indistinguishable. Although this fashion is very well established here, one wonders if the trend will ever spread from western countries to the more rigid, traditional societies of India, China, Japan, and other parts of southeast Asia.
The domestic influence on commercial furniture meant that there was a vastly increased presence of upholstery, often including soft cushions giving a more cozy, residential feel, as well as soft curves and rounded edges. Showrooms which would previously have featured rectilinear workstations, tables and storage units had frequently replaced, or relegated them to a less prominent role, in favour of sofas, tub chairs and upholstered enclosures.
The other principal influence being strongly promoted was sustainability. There were definitely fewer products made using plastics and polycarbonate materials, and the legs of tables, chairs and storage products were almost invariably manufactured from solid wood or metal tube.
Consistent with the domestic vibe, fabrics were often soft-touch, for example, bouclé, velvet, and suede, and I’m told (I’m colour blind!) that trendy colours included pinky greys, pale beiges and various shades of light blue.















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