
Virtual Reality Is Changing the Interior Design Industry
Meg Moussamih is lead designer for Falkbuilt with the Tangram Construction Trades Division. Falkbuilt is combining proven construction methods with next-gen technology to build beautiful, cleanable, high-performing, and cost-effective environments. Their newest software, Echo Dome, allows everyone to meet inside the Revit model to experience the space and make real time design changes. Tangram Construction Trades makes subcontracting simple by consolidating multiple construction trades under one roof and delivering on time and within budget.
How have things changed in the past two years, for companies that design and build interior office spaces?
It’s been an interesting time. About six months before the pandemic, Tangram Construction Trades (TCT) partnered with Falkbuilt, a leader in digital component construction. As soon as the pandemic hit, a large volume of projects came to a halt, as clients assessed their situations, both logistically and financially. Within a few months*,* however, clients noticed a silver lining – the opportunity to perform work they had been putting off for years. They began to ask “how can we take advantage of this quiet time to launch renovations that would require evacuation of the office?” Today, for companies choosing “return to work,” there is increased commitment to complete those renovations because employees are on their way.
What are you seeing from companies making hybrid workplace decisions?
Right now, I see two very separate sides of the spectrum. Many companies have closed their offices completely and gone virtual. In fact, I was on the phone with a carpet manufacturer the other day, with plans to come downtown to pick up some samples. They told me they’ve closed their storefront and now do everything digitally. Within 12 hours, I had samples sitting on my home doorstep. This is the new reality.
On the other side of the spectrum, I know many companies in the midst of significant renovations, with the goal of inspiring employees to return to work. Many employees have realized that that working from home is their ideal, so they now need a good reason to come into the office. Employers are making every effort to create spaces that draw them back.
Frankly, I see no one in the middle -- companies are forced to take a stance, lest they linger and lose money. Especially for those companies paying rent – they cannot continue if there is no one to fill the space. Everyone has to decide: either we’re either committed to being in the office or we’re not.
What is the biggest challenge to the design process and what are the solutions?
In the design and construction industries, there have always been multiple trades working together to bring projects to life. It’s agreeing on the precise means of accomplishing a goal that’s the challenge, and the risk of miscommunication, inefficiencies, and waste always exists. Live discussion is best for preventing this, but it means many trades must be in the room at the same time. And this can’t always happen.
What I’m seeing today is virtual reality (VR) technology intercede to push us to a level of sophisticated collaboration we’ve never experienced before. I believe it’s going to revolutionize this industry. Today, through VR software like Falkbuilt’s Echo Dome, we can gather everyone associated with a project in a virtual room, walk through the space without masks on, never be within six feet of each other, and make changes on the fly. A general contractor can come into the 3D VR to ask questions while an architect makes design changes, and we all have the same information. We’re reviewing project details simultaneously with clear, open communication, and it’s incredibly efficient and refreshing. In addition, it’s saving clients money since fewer change orders are needed during construction because confusion and risk have been addressed before construction has begun.
What other trends do you see in the design industry?
Today we’re being asked a lot about flexible workspaces and private work environments. If you’ll recall, a few years ago, open offices were the hottest thing – we wanted shoulder-to-shoulder collaboration with coworkers to capitalize on inspiration and create instant availability. But, now, we’re realizing that productivity is often better fostered in some kind of isolation. People need a quiet space to work and reflect on their thoughts.
Another trend is in the commercial leasing space. In the past, companies signed 10-year leases. Today, they are looking at 2-5 year leases, since no one knows what the future holds and everyone wants the flexibility to leave, if necessary. This means companies want to own as much of their mobile property as possible. It’s especially good news for pre-fabricated wall companies, like Falkbuilt. In the past, when a client had conventional drywall, those walls obviously remained with the building when a client vacated. Today, modern, tech-savvy demising walls can be taken down and carried to the new leased space, just like furniture, so the new space can be customized to a company’s liking. And there’s a sustainability component to that, too. One of aspect of being a conscientious human right now is considering how we can be more sustainable with everything we do.
What is your long-term expectations for the interior design industry?
I’d like to see a technologic revolution in this industry, as well as a switch in which parties are responsible for the heavy lifting of a project. Specifically, I foresee a future in which construction pieces are digitally created on the front end and then delivered to the field for installation.
Right now, almost everyone in the industry is still bringing raw materials to site where everything is cut to size. This is an antiquated process with plenty of inefficiencies. But it’s currently necessary because a building is never made never perfectly level or plumb. In today’s process, when things are not level, a general contractor can ensure the picture hanging on the wall is a bit unlevel to match the wall that is a bit unlevel. But, ideally, everything would be level in the first place.
I’m part of a unique process at Falkbuilt in which everything is verified on site before being produced in a factory. We insist on doing most of the work at the beginning so the second half of the project – construction and installation -- is lighter in computation. I think this way of thinking will catch on.
I’d like to see other advances in technology, too. Why is it that we can X-ray a human body to see inside but not a wall? I do see small tech advancements happening today, but it’s going to take big movement to completely change the industry. And I’m here for it. In fact, I feel my current job is my way to support the momentum, spread the word, and inspire others to make a bigger change.
What are your thoughts on innovation?
Many people find change unsettling, but innovation doesn’t come without some frustration and pain. Personally, I find comfort in discomfort. In fact, if I do one thing for too long, I’m bored. If I’m uncomfortable, I know I’m growing.
When we change our processes, which Falkbuilt does as often as once a month, it’s always better in the end. So I’ve learned look forward to it. Part of my job is to comfort people through growth and change. Even if they are uncertain about it, they can join forces with people who are certain. I think being open-minded and trusting is all I can ask from my team, from the companies that I work for, and from my clients.
Leading Contract Furniture Dealers Unite
Two of Las Vegas’ leading contract furniture dealerships, Henriksen Butler (HB), and Western Office (Western), have joined together to collaboratively serve Southern Nevada.
Since 2004, Henriksen Butler has served as Nevada’s Herman Miller Certified Dealer with locations in Las Vegas, Reno, Salt Lake City, St. George, and Boise. Western Office, with locations in Los Angeles and Seattle, has represented Knoll as a Workplace Dealer in Las Vegas since 2006. The combination was precipitated by the recently completed acquisition of Knoll Inc. by Herman Miller, Inc. in July 2021, forming the combined MillerKnoll, Inc., which represents a portfolio of 19 affiliated design brands.
Together as Henriksen Butler, the local team now represents the storied design brands of Herman Miller, Knoll, and the combined MillerKnoll. “In terms of design history, you simply can’t beat the legacies built by these two design icons,” says Dave Colling, CEO of Henriksen Butler. “To see them come together to continue building upon such a strong foundation in the form of MillerKnoll is incredibly exciting.”
With local representation of both Herman Miller and Knoll consolidated under Henriksen Butler, the Las Vegas team from Western Office will join the HB team of over 250 employees throughout the Intermountain West.
SupplySource Inc Announces Partnership with Haworth
SupplySource Inc is proud to announce its new partnership with Holland, MI-based Haworth. As a Certified Minority-Owned Business headquartered in Williamsport, Pennsylvania with offices in State College, Mechanicsburg, Reading and York, SupplySource is a premier office furniture dealership and has been an industry leader in the region for more than 38 years.
SupplySource found a kinship in Haworth as the core values of both companies were nearly identical. Beyond similar corporate values, SupplySource saw promise in Haworth’s diverse line of products and Haworth saw value and growth opportunity inside the Pennsylvania market. To the partnership, Haworth brings decades of experience, global expertise, technology, and design: all of which will enhance the experience for customers of SupplySource. This strategic partnership comes at a time when the industry, and the world around us, is constantly changing. Haworth’s flexibility and shared values will ensure an enhanced customer experience.
“I could not be more pleased with the decision to partner with Haworth and offer the State of Pennsylvania a host of products and services that we just couldn’t previously offer,” COO and Principal of SupplySource Larry Basile said. “This partnership brings new life and meaning to SupplySource, and we are prepared to service our existing and new clients with offerings that will meet their design goals while maintaining a reasonable budget for their workspaces."

Grand Rapids Chair Co. Introduces Rita: Their First Outdoor Lounge Seat
Commercial furniture manufacturer Grand Rapids Chair Co. proudly introduces Rita, the latest lounge seat in the newly revamped GRCC product family and the first designed for indoors and out. Known for imagining playful dining seats and tables, GRCC’s Rita Lounge represents their foray into outdoor lounge furnishings that maximize comfort and productivity. Crafted with sustainable, exterior-grade materials and an easily customizable design, Rita is a lively addition to hotel lounges, coworking offices, outdoor patios, and everything in between.
“Grand Rapids has completely redone its entire portfolio over the past seven years,” says Grand Rapids Chair Co. Creative Director, Dean Jeffery.
“We made a conscious effort to create a foundation, including chairs and tables for dining spaces, but now it’s time to put our stamp on lounge and outdoor areas.” Designed by long-time collaborator Filter Studio, Rita incorporates Grand Rapids’ signature powder-coated steel frames and rounded edges with additional comfort. Defined by two angular intersecting cushions, Rita is cozy yet sturdy for productivity and engagement in commercial spaces. Available in three variations—a base model with optional arm caps or a 10-inch side table—Rita is more than just a pretty chair; it can hold everything from laptops and notebooks to happy hour cocktails.
“After two years of remote work, we want Rita to attract people to communal spaces, whether it be a café, office, or hotel,” says Jeffery. “We love that Rita is designed for comfort, as well as work, conversation, and dining. It toes the line between what people love about home and what they need to be productive."

Espo Shifts the Concept of Precision-Focused Design Forward
Encore introduces Espo, a sophisticated executive/conference chair that combines well-defined lines with pillow-like shapes to create a concept that defies expectations.
Characterized by its sleek silhouette and signature polished aluminum cantilever arms, Espo lends a stylish presence to work environments that include executive offices, conference rooms and small meeting areas, in addition to outfitting more low-key spaces such as workstations and benching applications.
The distinctive metal arms trace the periphery of the seat and back, extending outward to form armrests that intentionally appear light while allowing for more freedom of movement when seated. Equally purposeful is the slender, subtly angled chair shape – a compelling visual element that also adds to the overall lightness of scale.
Underpinning all the aesthetic design elements is the skillful integration of comfort features such as an intuitive weight-activated synchro-tilt mechanism that automatically adjusts to individual body types, a t-arm option that allows for height adjustment, as well as softly rounded black polyurethane arm caps on cantilever models that provide for a smooth surface finish.
This collection marks Encore’s first collaboration with Henner Jahns of Gecco Vision, an award-winning designer recognized for his innovation and hands-on approach. “We were looking for a contemporary office chair that offered a fresh, on-trend look without any bulkiness, while at the same time providing effortless comfort”, states Tammie Alciatore, Director of Marketing. “Espo checked all those boxes and more with its architectural styling and thoughtful details throughout, delivering what we anticipate to be a very well-received series.”

Allseating Debuts Eighty Two, a Return to Great Design in the Value Category
Allseating launched Eighty Two, a customizable and comfortable task chair at a highly affordable price point. This task chair was envisioned by the company’s CEO and founder, Gary Neil, to pay homage to Allseating’s 40th anniversary. Eighty Two celebrates the core values on which Allseating was built: stylish, intuitive, and affordable design.
“Eighty Two symbolizes a return to our roots here at Allseating, with its name being a direct reference to the year our company was founded, 1982,” says Gary Neil, the CEO and Founder of Allseating. “Eighty Two proves that innovative design should be accessible to everyone – and that 40 years later, Allseating continues to uphold this mandate.”
Stemming from an influx of home offices, Eighty Two is designed to solve a new employer dilemma: how to responsibly provide the necessary tools for employees to work safely and comfortably from home while keeping budgets reasonable. Eighty Two is the perfect solution for an affordable at-home office. Additionally, Eighty Two doubles as a great answer to employees who are returning to the corporate office. Eighty Two can be used in both permanent office seating as well as collaborative touch-down spaces, making this chair one of our most adaptable yet.
“The home office is one of the largest growing trends in our industry,” says Paul Vendittelli, President of Allseating. “Designers are looking for low-cost, highly-ergonomic seating solutions to populate these new spaces. Eighty Two’s combination of intelligent design and cost-effective engineering has it poised to hit the market with an impeccable value statement."

3form’s 2022 Color Collection Emulates the California Coast’s Majestic Landscape
3form has introduced their 2022 Color Collection, a palette of nine desaturated hues inspired by the California coastline. Complete with mossy greens, deep blues, cool grays, and sandy golds, the colors evoke a sense of calm and serenity that only derives from nature. Just like the ever-evolving shades of our world, this new collection is a muted iteration of 3form’s 2021 Color Collection, reflecting the need for grounded colors in shared spaces.
“As designers, we want to see things evolve,” says 3form’s Vice President of Design, Christian Darby. “We had a clear starting point for this palette, but we didn’t want to radically change it from previous years. There’s a subtlety from where we went from 2021 to 2022. This palette is more refined by softening the greens and blues to become even more sophisticated.”
Darby’s inspiration for the 2022 Color Collection derives from his childhood home near Monterey Bay, a beach town in central California. Unique for its white-sand beaches, organic rock formations, and cypress trees, this palette distills Monterey’s rolling hills, beaches, and lush foliage into nine distinct color identities. The palette also depicts the coastline in different seasons and weather conditions—as portrayed in soft blues and moody dark grays—to accommodate a variety of commercial interiors.
“One of the most beautiful things about the California coastline is the amazing blend of landscape, ocean, hills, mountains, and farmland,” says Darby. “There’s a beautiful cross-section between the land and the stormy sea that we tried to emulate in this palette."

Evolve Your Space with Tayco’s Enhanced Switch Panel System
Tayco has released ample new features for Switch on January 20. Switch, a two-inch panel system that has generated immense interest and sales across North America is now offering increased functionality, additional configurations and enhanced privacy all at a fantastic price point.
The ability to customize workspaces to every individuals’ function is key when planning today's office spaces. With panels up to 82” high and 72” wide Switch now offers even more ways to personalize. Additionally, laminate and fabric panels now include segmented glass and acrylic options in multiple heights, a rarity with a monolithic panel system. Together these can be used to create fully enclosed offices, offering a private office feel, without the need for permanent construction.
“The market has raved about Switch since its launch in 2017. Customers love the sleek design, high-quality metal-to-metal connections, and the ability to truly make it their own,” says Tayco CEO, Kevin Philips. “We wanted to bring even more to the line in 2022, as we set the trend for users wanting additional space division, larger spaces and more privacy. Expanding our size offering and adding swing and sliding doors was the perfect place to start. Now stunning private offices can be created quickly offering immediate privacy and safety.”
Switch is known for its intelligent design aesthetic, offering a sleek modern look while maintaining cost efficiency. Panels up to 72” high further enforce Switch’s identity giving users the ability to specify fewer panels for a seamless look. Integrated glass and acrylic segments also enhance Switch providing natural light to flow into each workstation.

Springboard’s GLOWI Brings Auto Industry Technology to Writable Surfaces
Springboard introduced GLOWI, a premium glass writing surface made with the same material technology found on touchscreen cell phones and high-end car dashboards. Designed with micro-thin glass—one of the thinnest glass materials to enter the working surface industry—GLOWI eliminates marker shadow for crisp, clear illustrations, like writing on a piece of paper. Unlike standard glass, GLOWI’s glass is rolled out and cut with a razor blade for a lightweight finish that is crystal clear and easy to install. GLOWI is the first signature material to join the Springboard family, expanding the company’s offerings in both collaboration tools and writing surfaces. Now specifiable in two wallboard sizes, GLOWI elevates whiteboards with the highest quality materials and minimalist design.
“GLOWI is a game-changer for the working surface world,” says Springboard’s Director of Marketing and Sales, Kirby Rea. “GLOWI’s glass technology is taking over the tech and auto industries, and we’re excited to be the first to introduce it to whiteboards.”
Standard glass writing surfaces are typically 4 mm thick, but GLOWI’s 0.5 mm surface prevents the shadowing that often makes whiteboard markers appear muted or desaturated. GLOWI’s non-reflective writing surface is also easier to see from multiple angles and far distances, which is ideal for open offices or university lecture halls. Plus, while standard glass can leave streaks behind after erasing, GLOWI’s ghost-free surface keeps whiteboards looking good as new after every erasure.
GLOWI’s high-end writing surface perfectly complements Springboard’s new ARCHYI. dry-erase pen: an incredibly saturated black marker. The ARCHYI pen appears bold on any whiteboard, but it performs best with GLOWI’s shadow-free surface. Available in the GLOWI accessory kit, which includes two ARCHYI. pens (one black and one blue), the markers complete the entire GLOWI experience.
